MIAF - Australian Stage Online

Details: Stephanie Glickman; 15 October 2008

While it has clear structures, Max is an abstract work, a sensory journey of no fixed destination.

Details: Jan Chandler; 13 October 2008

FW Murnau and Phillip Johnston: welcome to a magical marriage of image and music.

Details: Stephanie Glickman; 13 October 2008

Desert Island Dances is, among other things, a work about expectation, not necessarily just in a show, but in life.

Details: Jan Chandler; 12 October 2008

A Largely Fanciful History of the Spiegeltent | Casey Bennetto

A Largely Fanciful History of the Spiegeltent was a wonderful night of musical entertainment that brought The Famous Spiegeltent fully to life in all her sparkling glory.

Details: Avi Lipski; 11 October 2008

It is powerful stuff. Sometimes too powerful. Food Court is a work that seems almost too dark and tragic to compute.

Details: Vito Mattarelli; 11 October 2008

Crouch has certainly devised a marvellous piece of theatre that is designed not just to entertain but rather to explore ’the play’ - an oak tree is indeed a play.

Details: Anna Lozynski; 11 October 2008

Three is an enticingly complex work directed by artistic director and choreographer, Ohad Naharin and performed by the Batsheva Dance Company.

Details: Georgia Fox; 11 October 2008

Audience members’ walking out was almost to be expected in this provocative staging of Barrie Kosky’s latest directorial endeavour; a production that manages to pose the unanswerable question: ‘What is Art?’

Max | Batsheva Dance Company

FW Murnau's Faust

Desert Island Dances | Wendy Houstoun

A Largely Fanciful History of the Spiegeltent

Food Court | Back to Back Theatre

an oak tree | Tim Crouch

Three | Batsheva Dance Company

The Navigator | Liza Lim