
Sasha Waltz’s choreographic opera, Medea, brings together the storytelling power of contemporary dance and classical music to tell a timeless tale of isolation, desperation, passion, and murder

It’s shows like this that make you realise how unbearable life would be without art.


Big hair and an easy manner, an out of tune guitar and a microphone that “dictates his posture”. This is Harry James Angus, in his show Everything That I Can Think Of.

The appeal of physical theatre lies in the exploration and subversion of theatrical form. Great work combines physical and verbal language in new and exciting ways and challenges the manner in which audiences read, engage with and contextualise performance.

There is a crowd of very excited people gathered outside Footscray train station. A DJ mounted on top of the box office provides tunes as the crowd, as well as the anticipation, grows. It feels like a party.
