The most ambitious one-hander you’re likely to see with one actor portraying over thirty characters, director Kate Champion has given this crowd-pleasing play something of a timely facelift.

Given what an immense and perpetual global franchise Cirque du Soleil has become, it must be quite a challenge to keep coming up with new themes while still attempting to conform to a vague unifying style that maintains the brand.

The Last Wife is one of the best shows I have seen this year, creating an outstanding work of theatre from one of the most compelling family dramas of western history.

Light on narrative but bursting at the seams with scintillating style, this quintessentially sexy show is an absolute corker, even if it is a production that's over twenty years old.

This unapologetically irreverent musical, more in the vein of a spoof or even a roast, ridicules the Corbys and the attending media alike, giving them all a blast from both barrels. Its approach to the topic might work as a series of revue sketches, but as a feature-length show it requires further...

A View From the Bridge is a masterclass in acting and direction, and a sensational revival of a powerful play from one of the greatest modern American playwrights.

Cyril Gély’s script is an engrossing choice of material for such fine actors to showcase their prowess, making for delicious gravy on top of an already delectable feast.

This show features a great cast in an unambitious production of a classic musical in an awful theatre.

Fast and ferocious, frequently profane and fleetingly profound, THRONES! The Musical Parody is a hilarious romp for both diehard GOT fans and casual viewers… if there even is such a thing!

Although this delightful show maintains a generally light, comedic tone throughout, it asks the potentially unsettling question: “What happens when you discover that you are not the hero of your own story?”