Miller is an impressive performer, whose control of his own voice and physicality allow him to seamlessly shift between characters as a chameleon does colours.

As anyone familiar with Legs on the Wall can tell you, their productions are far more than just theatrical performances.

Playing is probably the best way to describe this performance in that it captures both the mood and variety of presented forms.

From the darkness Rommy makes her demand: a doll, a book and a fuse in exchange for freedom.

Heavily informed by Brecht’s Epic Theatre and reeking of Post Modernism, Oedipus Loves You is a contemporary revisitation of the Oedipus myth.

Gabriela lives with her cat in the Californian desert. Her life is on hold while she waits for her husband, Benito, to return from war.

While Miriam and the Monkfish could easily be overlooked as a pastiche of celebrity chef culture it’s the satire in the writing, along with Kelly’s energetic performance, that carries the show beyond this.

I was lured into Griffin’s Stable Theatre to see the Australian premier of Dea Loher’s Tattoo by the promise of a Grimm Brothersesque dark fairy tale ... I got more than I bargained for.

Faith Healer is composed of four lengthy monologues, each juxtaposed on top of the other which provides the audience a filter through which they can find their own truth to a story which has many.

Amid towers of dirty plates and towering egos, grimy tiles and social unrest, dinner is prepared.