Potts directs an excellent bi-lingual production, sidestepping the pitfalls of a complete translation by including much of the original Spanish.

This is a wonderful adaptation of a modern literary classic, and one of the best productions I have seen by Opera Australia in the past few years.

Day One. A Hotel, Evening is a comedy of manners that uses wit and words to satirize, and comment on, middle-class middle-age infidelity.

Assembly is at once an exploration and a celebration of the possibilities of what can be achieved and created with collaboration, cooperation, and unity.

Schlusser’s production is bold and brash, his direction intelligent.

La sonnambula is a funny little opera which tells the story of Amina, a sleepwalker, who gets herself into all sorts of trouble by ending up in a stranger’s bed.

The Bear/Angélique is a light double-bill on the theme of love.

For its 21st season performing under the stars at the Botanical gardens, The Australian Shakespeare Company invites us to enter a world of magical mayhem.

In an old apartment lounge room, cluttered with memories, four generations and their stories are interwoven and entangled, creating a picture of a family in freefall.

Sasha Waltz’s choreographic opera, Medea, brings together the storytelling power of contemporary dance and classical music to tell a timeless tale of isolation, desperation, passion, and murder