The piece is a tearjerker and works in subtle ways – especially as it coincides with ANZAC Day and all of the thoughts, emotions and debates that emerge from its yearly remembrance.

For a comedy written mid-17th century, Tartuffe 2016 is surprisingly fresh, lively and plenty of fun.

CHAOS Ensemble makes its main season debut at The Blue Room with the aquatic thriller-comedy TANK, written and directed by Daley King.

Jeffrey the Cat Productions’ Hobo is back for another run at The Blue Room, opening in time for NAIDOC week, and continuing its journey as a work in development.

Set in an absurd, hallucinatory world contained within a space surrounded by dangling chains, three men emerge from the shadows covered in white paint, each wearing different colored braces over white button-downs and black trousers.

Playwright Sarah Kane has left behind a small and notoriously difficult repertoire of works, but WAYTCo haven’t let that stop them from producing her challenging, fragmented Crave.

Angels in America has come to Perth with all its provocative, winged bombast. Black Swan State Theatre Company’s departing Artistic Director Kate Cherry helms this theatrical juggernaut with mixed results.

Noongar stories on Noongar land. Performer Ian Michael comes back home with stories he and Seanna van Helten have adapted for She Said Theatre’s important solo work directed by Penny Harpham, HART.

Growing up is hard to do. Life is unpredictable, and how we deal with unexpected circumstances is a good indication of just how grown up we are.

From the watery depths of the sea, a seal emerges, sheds its skin, and becomes a beautiful human woman.