Alice Topp’s Logos that stole the show, the romantic yet demonic work was the standout of the evening and the kind of ballet needed to shake up the industry.

The Malthouse Theatre has opened their 2020 program with a classic, The Importance of Being Earnest, perhaps Oscar Wilde’s most beloved play.

Laura Wade’s Olivier Award winning play is high on style but low on substance.

One of Australia’s most beloved playwrights, David Williamson continues his 50-year run of success with a return to his 1987 play, Emerald City.

Choir of Man is a cocktail of cabaret, comedy and concert. The mix of classic pop, current bangers and a few Aussie favorites will have you grooving along to their sweet harmonies.

The most recent Australian production lives up to the high standard set by previous incarnations, the razor-sharp choreography and execution (pardon the pun) is some of the slickest I’ve witnessed on the Australian stage.

The Australian premiere of Ella Hickson’s Oil by Red Stitch Actors Theatre is a hugely ambitious production for the company.

John Patrick Shanley’s vicious black comedy, Where's My Money? returns to Melbourne under the direction of Beng Oh at The Burrow from November 20.

Susan-ann Walker (Funny Girl, Once, Xanadu, Menopause the Musical, Yummy, Subtle) returns to the cabaret stage, with her brand-new show, Not Quite Right.

If you’ve ever wondered what women really do behind closed doors, then look no further than Thigh Gap. Jamaica Zuanetti’s absurdist comedy is an uncomfortably relatable production, in which two 20 something women reveal all the “secret women’s business” the ladies have been concealing.