Burlesque by Force is persistently provocative, munificent and shrewd.

This is shock-and-awe theatre. Switzerland is an exhilarating production, led by a strong performance by Gore that flourishes through its clean narrative and taut direction.

Acropolis Now, launched the famous character – (Efthimia) Francesca “Effie” Stefanidis, played by Mary Coustas. The good news is – Effie is alive and kicking, unsullied, inventive and full of vernacular impropriety.

Emma Knights’ production is inventive, intelligent, and beautifully presented. The show rises above the conventional with a winning fusion of satire, self-parody and potent performances from a superb ensemble.

Anchored by the great performances from its leads, terrific musical numbers and stylish choreography, this re-imagined and re-vamped version is a proper crowd-pleaser.

It’s beginning to look a lot like Christmas, now that the annual Christmas proms are here.

Porter & Piaf takes a compassionate look into the life, loves and music of both Edith Piaf and Cole Porter.

This rewritten – but not re-imagined – version titled Oscar and Felix: A New Look at the Odd Couple integrates modernized allusions and elements into the primary storyline concerns the two mismatched roommates.

Perfect Nonsense makes rib-tickling, crowd-pleasing comedy out of its larger-than-life Jeeves and Wooster tale – and does its subject justice with terrific performances from its cast.

With its small cast and a few pieces of furniture, it is a stark play that poses a straightforward question: What would we do if we could live our lives over?