Food Chain | Sydney Festival


Food Chain | Sydney FestivalPhoto - Maurice Korbel

As we shuffle and scatter into our pre-ordained seats, animals on stage stare at us. Beady glass eyes stare unblinkingly, watching us, as we watch them. A giant tree, knotted and thick-barked, something in it’s branches. A forest in the gloaming.

Created by pvc Tanz (the dance arm of Theatre Freiburg and Theatre und Philharmonisches Orchester der Stadt Heidelberg) Food Chain is an exploration of the relationship between humans and nature. Directors Gavin Webber and Grayson Millwood "wanted to explore the idea of animals experimenting on humans, viewing them like a David Attenborough nature documentary in reverse." The tables have turned on the humans. No longer are humans the exploitative force - they are no longer voyeurs of the natural world - despite their blind confidence and man-made contraptions (backpacks, a tent, torches etc) - they are the hunted not the hunting.

Hailing from Meryl Tankard's Australian Dance Theatre in the early 90s, Gavin and Grayson are long-term physical theatre/dance collaborators who have toured throughout Europe and the world - both with their homegrown collaborations lawn and roadkill and in their own projects. According to their program notes, this particular production has been revisited and redeveloped for the Sydney Festival with some new collaborators included in the creation (or re-thinking) of the work.

Predominantly movement based with glimmers of text, Food Chain is more a series of links, than a cohesive narrative. Broadly speaking there is a beginning and (sometimes a gruesome) end to several of the characters, and a series of themes that are presented and re-presented. Sometimes animal, sometimes human the force and ferocity of the natural world versus the fragile and powerless human are openly displayed. Playing with audience and the idea of the voyeur - two bears with a CD player inform each other of a few dot-point facts about humans, specifically the mating rituals of humans which stuns and astounds the bear's companion and exposes the constructed versus the natural world of humans. At one point a lesson is presented to a series of stuffed animals about survival - which presents the idea that despite the beauty of nature, it is instinctually and necessarily predatorial and/or in a state of suffering.

This is a beautifully produced piece of work. Dynamic, and visually lively with astoundingly evocative sound design Food Chain shows us the strength and power of the natural world and it may overpower hapless humans. This is made even more astounding by the fact that the hapless humans in question are imbued with a remarkable physical dexterity and strength, which is still no defense against the likes of two very insatiable bears. Vignettes of weakness and strength - foolishness and fear swing us, the captive audience between the wonder of the natural world and the threat of the natural world. At times, the curation of these vignettes is jarring - it is difficult to recover from a supremely terrifying moment of violence into a moment which is intended as comic.

Though the execution of each moment is beautifully crafted and awe inspiring, Food Chain is not a smooth journey through this terrain and the last moment seemed to linger a little longer than necessary and was quite a soft ending to a brutal and forceful idea.


Sydney Festival 2011
Food Chain
by Gavin Webber & Grayson Millwood

Venue: Everest Theatre | Seymour Centre, Chippendale
Dates/Times: January 26-29 at 8.30pm; January 29, 30 at 5.15pm
Duration: 1hr 10mins
Tickets: $30
Bookings: Seymour Centre 02 9351 7940 | Sydney Festival 1300 668 812 | Ticketmaster 1300 723 038



Most read reviews

Bangalow Music Festival 2019

The Bangalow Music Festival, jewel of the classical music calendar of the Northern Rivers of NSW, has just had its 18th incarnation.

Roald Dahl’s Revolting Rhymes & Dirty Beasts | shake and stir theatre co

Cleverly written and adapted from the Dahl poems, the show was slick and silly, funny and furiously paced throughout.

Rainbow’s End | Darlinghurst Theatre Company and Moogahlin Performing Arts

The pot of gold at the end of the rainbow has been a long time coming for the First Nations people of Australia.

Synthony and Brisbane Philharmonic Orchestra

I have seen classic, contemporary and experimental takes on orchestra, as I am sure many others have too – but I doubt many have seen something quite as grandiose and extravagant as the wild ride that Synthony takes you on.

Sign up for our newsletter

* indicates required