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Written by Andrew Harper
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Thursday, 22 September 2011 14:36 |
Finegan Kruckemeyer's most recent script for Hobart's Terrapin Puppet Theatre, Love, is, in it's best moments, charming and elegant theatre.
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Written by Briony Kidd
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Monday, 20 September 2010 15:44 |
The latest in a series of works by Terrapin Puppet Theatre to grapple with the notion of 'digital puppetry.'
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Written by Briony Kidd
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Thursday, 29 July 2010 17:19 |
It was 7.30 on a Tuesday night when, red wine in hand, I made my way through the curtain that took me from the foyer of City Hall into the dimly lit festival club of the Hobart Comedy Festival.
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Written by Briony Kidd
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Tuesday, 01 June 2010 09:33 |
Each play runs at an hour and the combination certainly gives the audience its money’s worth.
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Written by Briony Kidd
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Friday, 29 October 2010 11:33 |
It's a simple story, a modern fable with a satisfying sense of inevitability about it. The plot, then, is not really the thing: this is a play about how the situation is handled by each of the characters.
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Written by Briony Kidd
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Monday, 13 September 2010 17:38 |
Four writers were asked to live for a week in a small Tasmanian community and this quartet of twenty-minute plays is the result.
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Written by Briony Kidd
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Wednesday, 14 July 2010 08:53 |
It's not only the diverse backgrounds that these performers come from that makes Power Hip Hop a valuable experience, it's the very different ways that they approach the project.
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Written by Briony Kidd
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Saturday, 22 May 2010 18:03 |
The best moments in The Company I Keep are the most unvarnished: brothers and sisters squabbling and chasing each other with abandon, a man’s struggle with feelings of hopelessness, the co-dependent dance of lovers.
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