| The Naked MC | Sista She |
| Written by Tessa Needham |
| Thursday, 26 July 2007 19:38 |
(l–r) Sarah Ward and Candy Bowers. Photo - Barnaby NorrisAs we enter, the three ladies of Sista She are sitting on a staircase stage left, surveying the audience. They assist in finding spaces for everyone, casually addressing various audience members and asking people to share the cushions around. Once everyone is ready, they break out in song, settling the audience in three-part harmony. Sista She comprises Rasheda Eda MC (Candy Bowers), Sheila MC Eila (Sarah Ward), and Busty Beats (Kim Bowers). Rasheda and Sheila are the original members, and they perform downstage, while Busty works the laptop and contributes vocals from upstage. Throughout The Naked MC, the girls chart their journey through three clearly marked sections: Love, Colour, and Beauty. “Sista Philosophy” is woven into all three “rounds,” which are introduced boxing-style.
With
the show, Sista She create a genre of “hip-hop theatre.” They link songs
together with their back stories, as well as frank stories about their
lives. The girls are supremely talented. Sheila’s singing voice soars
even in a cappella mode, and the rhymes of sisters Rasheda and Busty cut
to the bone. Their wonderful writing articulates important issues with
charm and humour, and variations in tempo,mood, and tone keep the show
moving. Samples and references to other songs and writing permeate their
songs, creating humorous moments of recognition.
All
these points are driven home through the use of sharp humour, which
eases the message and makes it easier to digest. Sista She may be a
serious girl hip-hop act, but they are not beneath making fun of
themselves. In one section of the show, the girls adopt poncy accents
and discuss their love of the theatre, but only if that theatre rates at
least an 8 out of 10. Thankfully, this show rates a 10. I loved it.
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