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Written by lloyd bradford (brad) syke
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Sunday, 10 August 2008 |
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The Australian Chamber Orchestra, during the course of my adult years, seems to have come from nowhere and gone to the stratosphere
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Written by lloyd bradford (brad) syke
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Sunday, 10 August 2008 |
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At last, some piercing light has broken through yonder window: this is
an entirely new prism through which one can view the intense, almost
blinding beauty of Million Dollar Bill
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Written by lloyd bradford (brad) syke
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Sunday, 10 August 2008 |
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The AS Trio was, and is, spellbinding. They'll chill you
out and softly sand down the rough edges in a way even a double Scotch
cannot. Theirs is music for the mind, body and soul.
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Written by lloyd bradford (brad) syke
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Friday, 08 August 2008 |
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Checkpoint Zero isn't all about two star-crossed lovers
who take themselves that little bit too seriously. It's also about the
Israeli-Palestinian conflict. Yawn!
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Written by lloyd bradford (brad) syke
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Wednesday, 06 August 2008 |
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These girls are certifiable: they played 27 shows in 30 days, while in
N. America. Yet it tells not. They come across as having palpable
passion for their profession and material. Justifiably so
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Written by jane barton
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Monday, 04 August 2008 |
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Waiting for Garnaut is a roaring hot air
blast of acrid wit, unapologetic characterizations and droll tunes all
laced with brazen irreverence that both titillates and harangues any
lurking hypocrisies an audience might be harboring.
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Written by lloyd bradford (brad) syke
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Sunday, 03 August 2008 |
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Australia has an ageing population. A chestnut as old as the populace
itself. By corollary, it also has an ageing complement of actors.
Fortunately, some of our best are getting on a bit.
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Written by Alexandra Coghlan
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Sunday, 03 August 2008 |
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Once you accept that Doninzetti’s Lucia di Lammermoor is
essentially Brigadoon with an Italian accent and stop wanting or wishing it to be grand opera in the
Verdi mode, then everything suddenly falls into place.
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