Ai-yi-yi! Nicholas Kazan's Blood Moon, in its Australian premiere, is by no means a bad play. At least, it needn't be. But, regrettably (and much as it pains me to say it), in this incarnation from Unpathed Theatre Company, it could easily be mistaken for one.

Dave Keogh is the musical equivalent of an habitual blood donor. And he's not doing it for the free tea and biscuits. It's for love. How often can you say that, these days?

Dreams in White is an exploration of secrecy, of fantasy, of performance. When you have a secret – when you are lying, when you are performing – what is real?

While not flawless, Rowston et al have channelled the spirit of this work and challenged us to get with the programme.