| Movie Music: Crime Time | Sydney Symphony |
| Written by Helen Barry |
| Sunday, 14 September 2008 03:06 |
 Sydney Symphony's Movie Music: Crime Time is one for the film buffs.
Featuring the scores of many of Hollywood’s greatest composers, it’s a
thrilling and fascinating journey through some of the most memorable
music from the movies. Better still, it’s hosted by the undeniably
witty Clive James, who in between furnishing the audience with details
about the composers and the films on offer spends the majority of the
evening blissfully ensconced in a comfy chair that’s been expressly
provided for that very purpose. And it has to be said that there's
something that's just plain fun about watching Clive James on stage in
front of the orchestra, it’s kind of like we’ve crashed a party at his
place or caught him in a private chill-out moment - but enough about
Clive, the real star is the Sydney Symphony orchestra themselves and
they are in fine form here.Right from the start when the massive and magnificent orchestra strike up the drums and horns for Alfred Newman’s iconic Twentieth Century Fox theme you know you’re in for a treat — and the night doesn’t disappoint. From Hitchcock’s right-hand man Franz Waxman of Rebecca and Rear Window fame, to John Williams, the man who turned popcorn pics like Raiders Of The Lost Arc and Star Wars into box-office blockbusters, this is truly a roll call of Hollywood’s best and brightest musical minds. There’s even something to keep the Gen Ys happy in the form of avant-garde ‘artiste’ Don Davis’ score from The Matrix; while Dad will be grinning from ear to ear during the James Bond medley and Granny will be clapping along during Ron Goodwin’s Miss Marple theme. It’s an evening full of treasures great and small and should serve to open up the audiences’ ears and allow them to focus on what music can do for a film. For great cinematic scores are truly an art form in themselves. They can make a mediocre film shine beyond all expectations and because of this they are the best trick that directors have in their arsenal to manipulate an audience. Scores poke and prod us in emotional directions that are seemingly beyond our control. Some of the best ones are invisible at first glance, you’d swear that there was nothing there at all, but without them the scene would fall flat and you’d fail to understand the hero’s true motives or the villain’s wicked intentions. Conductor Frank Strobel does a masterful job of translating the subtleties of these scores, and watching him convey them through his sharp, nimble and sensitive gestures is a rewarding experience in itself. What a shame that this splendid evening of cinema scores is only on for three nights. Thankfully it will be broadcast soon nationally thanks to ABC Classic FM, so be sure to check online guides for details. Music has always had the power to transport us. We close our eyes and disappear into another realm. But the moral of Crime Time appears to be the power of what music can do when we keep our eyes and ears open. Sydney Symphony Movie Music: Crime Time Frank Strobel conductor Clive James presenter Venue: Sydney Opera House | Concert Hall Dates: September 11, 12 ,13 Time: 8pm Info: www.sydneysymphony.com
Bookmark
Email this
Comments (0)Subscribe to this comment's feedWrite commentYou must be logged in to post a comment. Please register if you do not have an account yet.
|
Show/hide comment form
