Friday, 19 March 2010
Sydney » Reviews »
Kiki & Herb: The Year of Magical Drinking Tour
Written by Aleksei Wechter   
Friday, 02 November 2007 05:00
Kiki & Herb: The Year of Magical Drinking TourKenny Mellman and Justin Bond. Photo - Ruven Afanador

She walked on stage and filled The Studio with light, not just her conspicuous presence but her dazzling, sparkling, spectacular fireworks dress. Long, strong legs, sagging breasts, an eruption of what should be greying hair, diamante tears and a set of eyes that have seen the world. Kiki is one formidable, volatile and gracious hostess. She is in Sydney with her accompanist and eternal friend, Herb, to take you on their journey across time and seemingly endless controversy. Simply staged; grand piano stage right, bar table and stool stage left, both topped with ample booze to satisfy Kiki and Herb at least until intermission… for this is ‘The Year of Magical Drinking Tour’.

Kiki’s voice has been described as a ‘mixture of Tom Waits and Ethel Merman, with a little of Judy Garland in her last days’ but sitting, watching her through smiling cheek-bones she doesn’t sound like anyone else to me. Throughout her cabaret routine Kiki performed a great range of songs, both covers and original numbers, but each is done with her own signature style wherein she made each her own.

And then there is Herb, who placidly paddles away at his piano like a happy puppy, barking and howling to accompany his mistress. Kiki was without a doubt the star of the show, I doubt she would have it any other way, but Herb was the perfect complement to her larger than life style. When I managed to tear my gaze away from the diva, there was Herb just doing his thing in his own ineffable way. A maestro of the piano and accomplished singer Herb delivered a magnificent performance, but if you weren’t looking you wouldn’t notice as Kiki is pretty stiff competition.

My favourite part of the show however was the narrative that tied the songs together. Kiki rambles on about history and religion, politics, prejudice, current affairs and culture. She is both provocative and controversial, I think just about everyone will find some aspect of the show offensive. The night I was present we had a pretty liberal crowd, by liberal I’m referring to the true meaning of the word as apposed to conservative political parties, and there were certain comments in regards to dead children left in suit cases that I don’t think sat too well with just about anyone in the crowd. To Kiki’s credit she picked the show straight back up and returned to her repartee as if nothing had happened.

In a world that’s really too politically correct Kiki puts her hand down her pants and throws her faeces in your face. You will have to excuse the metaphor as in reality Kiki is nowhere near so crude, but in her politeness and grace she is very confrontational and questioning of the status quo. ‘The Year of Magical Drinking Tour’ is great fun, inspired music and plenty of food for thought. Kiki and Herb are the creation of Justin Bond (Kiki) and Kenny Mellman (Herb), who have been performing the two idiosyncratic characters for nearly a decade touring the world over, now’s a great opportunity to catch them locally.


Kiki & Herb: The Year of Magical Drinking Tour

Venue: Sydney Opera House, The Studio
Dates: Fri 26 Oct – Sun 10 Nov
Info: www.sydneyoperahouse.com.au

Comments (0)

Subscribe to this comment's feed

Write comment

You must be logged in to post a comment. Please register if you do not have an account yet.

busy
 
rushTIXAustralian Stage JobsMembers Area
 

Most Read SYDNEY Reviews

The Flags | Insomniac Theatre
Scott and co have delivered a quality of performance which does it proud indeed.
Crisis is Born: Again | Meow Meow
Meow Meow is a very different kinda kitten, with teeth and claws, which put her at the cutting-edge of what might be called alternative, or indie, cabaret.
Tom Jones
He looks almost as good as ever. He sounds every bit as good as ever. If not even better.
Money and Friends | Epicentre Theatre
Money and Friends is a gently scathing lampoon of those wealthy enough to have waterfront properties in Sydney and holiday houses down the coast, and how their greed is but one expression of their m...
King Lear | Bell Shakespeare Company
Unfortunately, what we see instead is almost the very antithesis of the ethos of innovation and vitality upon which this company was founded. Sadly the production is, at best, pedestrian.