Wednesday, 24 September 2014
Home » Reviews » PIAF »
Between the Devil and the Deep Blue Sea | 1927
Written by Sarah Wells   
Saturday, 28 February 2009 05:05
Between the Devil and the Deep Blue Sea | 1927As we sat and made ready for Between the Devil and the Deep Blue Sea, I had to lean over and say to my companion, “This production truly has the potential to be tremendously good or tremendously bad.” And she agreed. After all, young UK company 1927’s blend of black and white film, animation, pancake make-up, live piano and vaudevillian comedy is pretty ambitious.   

And then the lights went down for the arrival of Choo Choo le Chat and the story of her 9 deaths, and I was immediately and entirely seduced by this Gothic playground. 

Tales of Gingerbread revolution, little-rich-girls playing “homeless” for kicks, housewives being delivered of festive parcels of the Clap, angels, demons, evil twin sisters and their unfortunate grandmother, and a monkey in a mirror round out the 1927 repertoire of satirical quasi-comic nastiness. Truly these are stories unlike any you’ll see for a long time, and a wonderful blend of nostalgia and ultra-modernity. 

Dark, hilarious, melodic, slightly grotesque and utterly charming, this piece is one of my favourites of the year. Suzanne Andrade’s deliciously macabre prose delivered in husky plum-accented tones is an absolute treat and Lillian Henley’s antiquey musical stylings bring pitch-perfect atmosphere and tension. Paul Barritt’s projected animations and films are wonderful, at times taking centre-stage, at times ideally punctuating the poetry. 

The most impressive part of the piece, though, is the synchronicity of the performers, both with the projections, and each other. Obviously the timing regarding the animation must be perfect, as there is no ad libbing to be done by a film, but in addition to this Andrade and fellow performer/costume designer Esme Appleton are flawless in their tandem delivery, their comic cadence and their articulation of the complicated prose.   

Their daring even stretches so far as to include a lovely little slice of audience participation necessitating an unsuspecting theatre-goer get involved in the live-to-film crossover without much margin for error and this, too, they pull off effortlessly. 

If I am to lament for anything in this performance, it is that it is too short. 

It’s Emily the Strange meets Charlie Chaplin meets Oscar Wilde meets Nick Cave, and I loved it. See it.


1927 present
Between The Devil And The Deep Blue Sea
Written & Directed By Suzanne Andrade

Part of the 2009 Perth International Arts Festival

Venue: Playhouse Theatre
Dates/ Times: Thur 26 Feb–Sun 1 March, 7.30pm; Tue 3–Sat 7 March, 7.30pm
Duration: 55min no interval
Tickets: A Reserve $45/Friends $40 B Reserve $35/Conc $30 C Reserve $25
Bookings: 9484 1133 perthfestival.com.au Festival Info 6488 5555
Pin It

Comments (0)

Subscribe to this comment's feed

Write comment

You must be logged in to post a comment. Please register if you do not have an account yet.

busy
 
PozibleAustralian Stage JobsMembers Area
 

Most Read

Most Read Reviews

Beer Drinking Woman | Christa Hughes
Opening with the show signature tune, Beer Drinking Woman (how does she maintain that fabulous figure quaffing as she does?...
The King and I | Opera Australia/John Frost
Quibbles over certain aspects aside, this is a very fine show predicated on a superb double-act, ably supported by a large...
Soap | Brisbane Festival
In its second Brisbane Festival run, Soap does not fail to live up to the hype with its unique blend of circus, cabaret and...
Laughter on the 23rd Floor | Black Swan State Theatre Company
This is a hugely demanding script and the ensemble worked tirelessly to maintain the cracking pace. I felt all the actors w...
Three Masterpieces | American Ballet Theatre
The production is wisely divided into three discrete acts – each work given time to breathe and be digested by audiences. T...