Jan Chandler speaks with award winning director, Catherine Hill, about the importance of Independent Theatre and her n
The Byron Writers Festival, now in its eighteenth year, offered up over 100 acclaimed authors, this year’s festival pr
Walking into the Bigness is the latest work by renowned playwright, singer, songwriter, poet, film maker, and much muc
Australian Stage talks with Melbourne Theatre Company Casting Director, Janine Snape, about the job, some crucial tips
After a 3 year break, David Campbell recently returned to the studio to record an album with his Broadway idol John Bu
It is a brave festival director who hangs an entire festival on the music that was mostly composed in the first quarter
Another successful launch to another season full of diverse topics tackled in different ways by dedicated performers –
Ralph Myers today announced his intention to step down as Artistic Director of Belvoir at the end of the 2015 Season aft
Nominations for the 2014 Helpmann Awards have been announced – we have the full list of nominees
100% Darwin will be Edwina Lunn's third and last festival as Artistic Director. The festival programme was recently la
The Melbourne Symphony Orchestra has today announced the appointment of American violinist, Eoin Andersen, to one of its
Angela Betzien has been announced as the latest recipient of STC’s Patrick White Playwrights’ Fellowship at a special ev
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Home » Reviews
Making their grand entrance onto the stage, clad only in velvet superhero-like capes, the fabulously peppy puppeteers introduced themselves, and faster than any of us anticipated, we were “introduced” to their willies, the true stars of the show.
Thursday, 03 April 2014 | Read more
There are some artists that you can always count on to make you laugh, the caliber of comedian that you can watch countless times and never get tired of. Stephen K Amos is one such artist and his latest show What Does the K Stand For? is no exception.
Tuesday, 01 April 2014 | Read more
With multiple Muppets adorning the side of the stage like prizes to be won at a carnival, from the onset an audience knows Puppet Up is going to be keeper. Colourful, fast and fun, it's a 2014 MICF addition that won't disappoint.
Sunday, 30 March 2014 | Read more
From the get-go, it's clear that Deceit is positioned as a magic act in a world of its own; it straddles the gap between expert sleight-of-hand and a welcoming self-deprecation, that's rare in pieces as polished as this.
Saturday, 29 March 2014 | Read more
Standover Man is an ideal fit for Perth Theatre Trust and Subiaco Arts Centre's inaugural Independent Theatre Festival; the festival is focused on giving previously staged works new life in a new venue to help independent theatre creatives reach new audiences.
Friday, 28 March 2014 | Read more
The program informed me that the first choir formed at St James’ Church included convicts. I suppose there must be some other church choirs in Sydney with such a long history, but few have built on it to the extent that the choir of St James’ has.
Sunday, 23 March 2014 | Read more
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