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Private Dances
Written by Stephanie Glickman   
Tuesday, 18 May 2010 16:08
Private Dances
It’s not often that boutique beer and oysters come with the price of a ticket to a dance show. But within the realm of the Next Wave Festival, whose motto is No Risk Too Great, art practice is put into unusual contexts.
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Blithe Spirit | NTT Productions
Written by lloyd bradford (brad) syke   
Monday, 17 May 2010 09:52
Blithe Spirit | NTT Productions
Noone wrote, or writes, with quite the same self-assured panache. If ever there was a compelling argument for Anglophilia, he's it.
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Melbourne Comedy Festival Roadshow 2010
Written by Adrienne Gross   
Sunday, 16 May 2010 17:20
Melbourne Comedy Festival Roadshow 2010
Of the four acts and emcee there were enough laughs to feed the hungry crowd, but some courses were tastier than others.
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The Danger Age | Deckchair Theatre
Written by Hayley Mayne   
Saturday, 15 May 2010 15:55
The Danger Age | Deckchair Theatre
The Danger Age takes the audience on a rollercoaster ride of emotions, switching from moments of sadness to tears of laughter.
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Jen Cloher & Jordie Lane
Written by lloyd bradford (brad) syke   
Monday, 17 May 2010 17:00
Jen Cloher & Jordie Lane
Jen Cloher & Jordie Lane must surely stand as two of Australia's most cogent & compelling singer-songwriters.
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The Ugly One | Melbourne Theatre Company
Written by Liza Dezfouli   
Sunday, 16 May 2010 22:59
The Ugly One | Melbourne Theatre Company
Here’s a good thing – a play with important messages, exploring contemporary themes that makes a withering critique of undesirable values – all without bashing audiences over the head with worthiness or heavily slanted moralizing.
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The Elixir of Love | Opera Queensland
Written by Tessa Leon   
Sunday, 16 May 2010 12:59
The Elixir of Love | Opera Queensland
An engrossing story teamed with terrific lead performances and a hilarious Australiana twist, had me won from the first note.
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DNA | WA Youth Theatre Company
Written by Julia Hern   
Saturday, 15 May 2010 12:10
DNA | WA Youth Theatre Company
Dennis Kelly’s script wastes no time with exposition and throws us into the drama head first.
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