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Reviews/Melbourne
The audience followed text and musical narrative with fervour. Even the darkest moments were transported to the sublime.
Friday, 20 March 2009 | Read more
Reviews/Melbourne
Everynight, Everynight reminds its audience that unlike their weekly feeding of dramatised crime on television, the theatre offers no glass screen to separate the audience from the action.
Friday, 20 March 2009 | Read more
Reviews/Sydney
This 'off-Oxford' homage to Mardi Gras and all things joyously gay is, from tip to stiletto, a dazzling, dinnertime delight!
Friday, 20 March 2009 | Read more
Reviews/Perth
There are many layers and themes and director Kate Cherry has done a wonderful job (again) of bringing the best out of the words and performers.
Friday, 20 March 2009 | Read more
Reviews/Adelaide
It’s no mean feat for one person to hold an audience intently for an hour and a quarter just telling a story
Thursday, 19 March 2009 | Read more
Reviews/Perth
This play is at its heart a work of humanity and pathos, uniting us with those things we are all thinking, but cannot always voice.
Wednesday, 18 March 2009 | Read more
Reviews/Melbourne
Set in a cockroach-infested Berlin apartment in the middle of winter, three men are, literally, climbing the walls.
Tuesday, 17 March 2009 | Read more
Reviews/Adelaide
In 1828, John Newton Templeton was the first black graduate of the University of Ohio (and only the fourth in the US), some 40 years before the emancipation of the slaves.
Tuesday, 17 March 2009 | Read more
Reviews/Melbourne
A highly technical post-modern dance vocabulary underpins the choreography and each offering has its own unique mood and motivation.
Monday, 16 March 2009 | Read more
Reviews/Sydney
Travesties is a play that swims around playfully in a thick pool of language. This is a pool, overflowing with comments on the nature of art, running gags, and even limericks.
Monday, 16 March 2009 | Read more

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