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Magpie Blues is, more-or-less, the story of Ursula's life. A cabaret, but one with much less artifice and affectation than is customary.
Sunday, 23 May 2010 | Read more
The best moments in The Company I Keep are the most unvarnished: brothers and sisters squabbling and chasing each other with abandon, a man’s struggle with feelings of hopelessness, the co-dependent dance of lovers.
Saturday, 22 May 2010 | Read more
This is the kind of work I want to see more of on our stages: work that is challenging, that is confronting, that is well written, and is Australian.
Saturday, 22 May 2010 | Read more
Ute Lemper’s voice at first seems deep and husky and it’s not until she lets fly that you realize she’s in possession of an extremely versatile instrument with a considerable range.
Saturday, 22 May 2010 | Read more
The theatre company has assembled an excellent cast, twenty-seven strong, to bring to life Stephen Aldy Guirgis’ play, and the cavalcade of actors certainly makes for a lively and interesting production.
Saturday, 22 May 2010 | Read more
The Sapphires tickles, treats, teases, torments, tears-up and tears it up. In just the right measure. And all the right places. It's thrilling.
Saturday, 22 May 2010 | Read more
3077. Ruby's Place
Ruby's on any given Wednesday, will always, I think, be a cosy, comfortable home to eastern suburbs eccentrics and lovers of them.
Saturday, 22 May 2010 | Read more
Sadly, the concept fails to deliver in practice what it promises in theory.
Friday, 21 May 2010 | Read more
There are very few people who can say that they are strangers to heartbreak. The gentle sniffles and the surreptitious wiping of eyes among audience members at the opening night of The Last Five Years was testament to that.
Thursday, 20 May 2010 | Read more
It’s not often that boutique beer and oysters come with the price of a ticket to a dance show. But within the realm of the Next Wave Festival, whose motto is No Risk Too Great, art practice is put into unusual contexts.
Tuesday, 18 May 2010 | Read more

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