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Written by Gillian Wills
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Wednesday, 07 November 2012 17:18 |
"It's the year of the collaboration," says Natalie Weir choreographer of Expressions Dance who is discussing Towards The Flame, a pioneering initiative prompted by Richard Wenn, the Queensland Symphony Orchestra's Director of Artistic Planning.
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Written by Eleanor Howlett
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Thursday, 01 November 2012 11:19 |
One half of Australia's well-known company Sisters Grimm and an award-winning contemporary playwright, Declan Greene speaks to Australian Stage's Eleanor Howlett about compelling plays, vomit and the upcoming Malthouse season of his play Pompeii. L.A.
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Written by Gillian Wills
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Wednesday, 17 October 2012 14:42 |
A recent music graduate from the University of Queensland where he studied French Horn, Nathan Aspinall is now the Queensland Symphony Orchestra's conductor-in-training.
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Written by Vivienne Mah
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Sunday, 30 September 2012 21:35 |
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They say Trevor Ashley's one of the busiest men in show business, and with good reason. He's back this year with long-time collaborator Phil Scott for a crack at the Black Swan parody – strictly for adults.

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Written by Dione Joseph
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Monday, 05 November 2012 23:55 |
Every community may have a story to tell - but its not often that we find there are enough listeners. And finding listeners who include mainstream theatre companies isn't always the easiest of achievements.
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Written by Nick Spunde
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Thursday, 18 October 2012 16:22 |
If you've been spotting the Melbourne Festival posters round town, you've probably seen the one with a hip looking band accompanied by the somewhat ominous title We're Gonna Die. It's not a poster for an indie rock gig but in fact for a cabaret show by New York playwright Young Jean Lee.
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Written by Dione Joseph
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Friday, 05 October 2012 15:40 |
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“We’re here for Australian writers and I’m very happy to advocate for them. Writers need a home – and Griffin is here to support new Australian work and give writers the home they deserve.”
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Written by Lee Bemrose
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Wednesday, 12 September 2012 00:00 |
Not very long ago, British comedian Sanderson Jones had a dream of performing at the iconic Sydney Opera House. He was relatively unknown at the time and came up with the idea of selling tickets to his show by hand, in doing so getting to know his audience personally. His show, Comedy Sale, has been successful in the UK and now in Australia, most recently with a sell-out gig at The Melbourne Comedy Festival, along with a string of weekly appearances.
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