It
begins in darkness with an ominous low drone and slow, goose bump
inducing breathing. A dim light appears, then a shadow which becomes The Knave of Hearts, a skeletal, prowling creature that harbours gloom. It is the start of a haunting, andante piece about loss, love and friendship.
There are three other puppets in Apples and Ladders, by Melbourne based company Lemony S. Through the skillful hands and minds of Jacob Williams and Sarah Kriegler we meet two elderly men who are next door neighbours. One, an old drag queen is alone and lonely, taking to the drink as he laments his long gone past. The other is happily married and delights in taking apples from his tree to his bedridden wife.
It is a sensitive piece, one told by character movements and the superb music of English band The Tiger Lilies. Their
music is eccentric gothic folk, with haunting tales of heartbreak and
loneliness. Although many of the shows songs are from The Tiger Lilies albums, additional music was created exclusively for the show. Additional sound was created by Jethro Woodward.
The idea of the performance and story began in London. Williams picked up a free paper on the tube and read the following story: Once
upon a time there was a lonely old man. He was so poor that he often
went hungry. He lay awake with his belly hurting, wondering where his
next meal would come from. All he owned was a tall, old painter’s
ladder that was no use to him. Next door lived another lonely old man
who was also very poor. All he owned was a tall apple tree, whose
branches stretched far out of his reach. Unfortunately they never met.*
From this came Apples and Ladders. I found it to be an emotive piece, if a little too slow moving. Williams and Kriegler operated all puppets, as well as using delicate shadow puppetry - artfully hidden in the front of the sets. The
two puppeteers created beautiful moments for the characters, but I
thought they lacked that total finesse and bond needed to operate one
puppet with two people. I also found it distracting that they appeared
in normal clothes - Kriegler in particular was wearing a beaded necklace that kept distracting me.
The set originally designed by Mischa Long,
is a story in itself. Four boxes held the small, intricate sets - one
house, the tree, another house, the sidewalk. The boxes lit up
underneath for the shadow scenes. Each box was kept separate from one
another, creating a sense of dislocation and disassociation. The set
pieces themselves were detailed, perhaps made out of foam / paper maché
and covered in brown paper. Only the apples on the apple tree and a
lone flower stood out with colour.
The lighting by Richard Vabre
was somber and added to the separation of characters and events. Often
the stage faded to black for a few moments before the next state came
up. Whilst it added to the ominous, sad feeling, I thought it could
have been a little bit snappier and still kept the atmosphere. The
use of low floodlights, creating shadows on the back of the set of both
the puppets and the puppeteers, was an interesting touch.
Overall, although I found it a little slow, I was still moved by the gothic piece and enjoyed the poetic telling. Apples and Ladders is an enduring show with a heartwarming ending.
*sourced from the Apples and Ladders program.
Apples and Ladders Lemony S
Venue: The Blue Room Dates/Times: Mon 7 @ 6:00pm & 8:30pm; Tue 8 @ 2:00pm, 6:00pm & 8:30pm; Wed 9 @ 2:00pm, 4:00pm & 6:00pm Duration: 50 minutes Price: $16 Bookings:www.unima2008.com | Tickets available on the door, unless sold out prior to the event
Avenue Q to open in MelbourneFrom Broadway to the West End, and the West End to Melbourne…the wait
is over and AVENUE Q fans can rejoice that the Tony Award Best Musical
winner will finally be enjoyed in Australia.
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