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The Danger Age | La Boite Theatre Company Print E-mail
Written by Erin White   
Sunday, 02 March 2008
The Danger Age | La Boite Theatre CompanyGrowing up is tough. Growing up with the knowledge that the freedom of your country rests in your hands, is even tougher.

Meet John Curtin. Not John Curtin, one of the greatest Australian prime ministers of all time. John Curtin, the 10 year old asthmatic schoolboy from Kalbarri, a small country town on the West Australian coastline, geographically opposite from Brisbane.

John Curtin is played by Lucas Stibbard, and is the protagonist of The Danger Age, Kate Mulvany’s creation for the opening of La Boite Theatre Company’s 2008 season. This charming play is set in 1942, and uniquely blends historical action with fictional perspective. On his 10th birthday, John Curtin receives a phone call from the President of the United States of America. Mistaking John for Prime Minister John Curtin, the President proceeds to detail a plan of defense for Australia to the schoolboy – the Brisbane Line. A line will be drawn horizontally across Australia, starting at Brisbane and heading due West. Anything south of the line will be defended. Anything north of the line, will be sacrificed to the Japanese. Kalbarri sits right on the line. And John lives on the North side of town.

John is not alone in his quest to save his home and country. Interestingly, the other characters all have their own rights to defend, as well as those of their homes. His best friend, Albert (played by Rhonda Purcell) is an Aboriginal girl who is uneducated, under-privilidged and constantly facing the threat of being taken away to a ‘Christian girls school’. John’s single mother Maisie (Caroline Kennison) and her special friend Dr Matsudaira (Lap Phan) deal with the prejudices of sex and racism on a daily basis. These characters add multiple layers of issues to the play, while John’s younger half-sister Glenys (Laurel Collins), and her sock-puppet alter ego Trevor, provide much of the comic relief.

The Danger Age is a well-structured play with many delightful moments. While the first act was quaint, comical and reasonably light, the second half delved into the consequences and the issues of the play, while still retaining its humorous form. Its examination of hysteria and its persuasion in society is exemplified in many ways, particularly the war itself and its resulting effects of racism. Yet this is not an ‘issue-based’ play. The Danger Age touches on issues, but does so in a way that charms and moves its audience towards an idea, rather than alienating them and forcing them to confront themselves. The Danger Age primarily is a story, and it is told beautifully.

The actors sweep the audience off their feet and into the world of 1942 Australian country life. The simplicities of outback legends, naturally beautiful landscapes and technological revolutions such as the telephone give The Danger Age its quaint edge that makes the play so likeable. Apart from Lucas Stibbard and Rhonda Purcell’s convincing performances as children, the highlights are surely Caroline Kennison’s Maisie, who proves that mothers can be just as sexy as they are good at parenting, and Laurel Collins, who truly creates Trevor the sock-puppet as a separate character. Indeed one can hardly believe the creature is attached to her arm.

With fine acting, a great story and a dramaturgically sound script, The Danger Age is a fantastic new play from Australian playwright Kate Mulvany.


La Boite Theatre Company presents
The Danger Age
by Kate Mulvany

Venue: Roundhouse Theatre | 6 - 8 Musk Avenue, Kelvin Grove
Season: 28 February – 15 March
Bookings: www.laboite.com.au or 07 3007 8600


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Comments (11)
1. 03-03-2008 22:12
 
An enjoyable play.. conveyed lots of Australian aspects of drama and overall was very entertaining.
Guest
 
Kandyce
2. 18-03-2008 17:14
 
Gave me a lot of knowledge i didn't have being a highschool student! Would highly recommend it.
Guest
 
Sarah M
3. 21-03-2008 15:31
 
Very well structured play.
Guest
 
Jamie
4. 25-03-2008 14:01
 
it was mango splitting humor
Guest
 
Elise
5. 25-03-2008 18:34
 
This was a very interesting play: it portrayed many aspects of life in WWII that many young teenagers would not have known about. I saw this play on an excursion with my school's drama class, and it really helped us when working with the elements of drama :)
Guest
 
kaicee
6. 27-03-2008 11:28
 
it wasnt the best performance. I also went on a excursion with my drama class. i think having the sock puppet was making the play over the top.
Guest
 
Kate
7. 27-03-2008 11:28
 
The Play was good at the start... then at the end it started to get a bit to cluttered to many topic's in one bit... i felt like there were 5 plays in 1...
Guest
 
Jaz
8. 28-03-2008 14:45
 
is that a joke?  
i think the sock puppet added a bit more to the play. 
it was funny yet it made you think...
Guest
 
mazz
9. 31-03-2008 11:28
 
The sock puppet joke was lame and overplayed. Glenys was a 180cm tall 8 year old with big shoulders. 
The play was okay. But it dragged out for too long.
Guest
 
Cameron
10. 04-04-2008 11:32
 
Loved this play. it was so funny and really caught the essence of the 1940's. Loved Trevor! lol
Guest
 
Candace


 
Saturday, 22 November 2008


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