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Melbourne Reviews
Ninety | Melbourne Theatre Company
Written by Penelope Broadbent   
Friday, 29 August 2008
Ninety | Melbourne Theatre Company
Ninety is full of the brutal truths that can be spoken only between those who have once been lovers and have nothing more to lose.

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The Flying Dutchman | MSO
Written by Olympia Bowman-Derrick   
Wednesday, 27 August 2008
John Wegner
Wagner’s The Flying Dutchman is a tempestuous tale based on the legend of a Dutchman who is condemned to sail the stormy seas until he finds a faithful woman who will love him until death.

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Bat Boy: The Musical | Octave Theatre
Written by Olympia Bowman-Derrick   
Monday, 25 August 2008
Bat Boy: The Musical | Octave Theatre
From the seemingly simple, if not a little sinister, idea of a half-bat, half-boy, Farley and Flemming created a story set in the small town of Hope Falls.

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Damn Yankees | The Production Company
Written by Vito Mattarelli   
Thursday, 21 August 2008
Damn Yankees | The Production Company
Like The Pajama Game, Damn Yankees is a show that churns out memorable musical numbers and holds up extremely well for audiences (the original Australian production celebrated its 50th anniversary this year).

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The Elixir of Love | Victorian Opera
Written by Olympia Bowman-Derrick   
Sunday, 17 August 2008
The Elixir of Love
The Victorian Opera Company seems to have stolen Dr Dulcamara's recipe – and found the elixir that hits the spot with opera lovers!

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Lands End | Compagnie Philippe Genty
Written by Stephanie Glickman   
Friday, 15 August 2008
Lands End | Compagnie Philippe Genty
The presentation is crisp and surreal and, while the images frequently recur, Genty does not visually overload the stage at any one time.

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Altar Boyz
Written by Paul Andrew   
Friday, 15 August 2008
Altar Boyz
This Oz incarnation of the much lauded off Broadway hit has all the right stuff - satire, sex, sin and soul.

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Cat On A Hot Tin Roof | Melbourne Theatre Company
Written by Carol Middleton   
Friday, 15 August 2008
Cat On A Hot Tin Roof | Melbourne Theatre Company
Tennessee Williams considered Cat on a Hot Tin Roof his best play. The themes, which are universal and profound, climax in a dialogue between Brick and Big Daddy with the eloquence and drama that make for brilliant theatre.

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