|
Sunday, 06 May 2007 |
|
Tense and thrilling are two words rarely credited to dance,
let alone live performance in general.
 Be first to comment |  Quote this review on your site | E-mail
|
|
|
Saturday, 05 May 2007 |
|
Howard Brenton’s play Paul is the extraordinary story of St Paul, whose faith and fanatical commitment, in the playwright’s view, was as important in establishing the Christian religion as Christ himself.
Be first to comment | Quote this review on your site | E-mail |
|
|
Saturday, 05 May 2007 |
|
George Balanchine’s 1928 work, Apollo, seemed an appropriate way to open The Australian Ballet’s new production, New Romantics.
Be first to comment | Quote this review on your site | E-mail |
|
|
Friday, 04 May 2007 |
|
Blood Policy’s Operation opening
scenes immediately pose questions that are slowly unravelled over the
course of the performance.
Be first to comment | Quote this review on your site | E-mail |
|
|
Friday, 04 May 2007 |
|
Leske’s
Method is an evening of three short plays presented by Fractured Femur
Theatre at La Mama.
Be first to comment | Quote this review on your site | E-mail |
|
|
Friday, 04 May 2007 |
|
Frank Bren’s A History of Motion Pictures is a fast and furious
theatrical shadow play of films and film-making in the early twentieth
century, that rockets along at a great rate like an early silent film.
Be first to comment | Quote this review on your site | E-mail |
|
|
Wednesday, 02 May 2007 |
|
Dancer James Cunningham uses a combination of dance and data projection to draw the audience into a strange new perceptual space.
Be first to comment | Quote this review on your site | E-mail |
|
|
Monday, 30 April 2007 |
|
Opera Australia this year presents Dvorak’s Rusalka, a work rarely staged in this country and a welcome departure from the standard Italian or German repertoire.
Be first to comment | Quote this review on your site | E-mail |
|
|
|
<< Start < Prev 131 132 133 134 135 136 137 138 139 140 Next > End >>
|
| Results 1041 - 1048 of 1199 |
