Wednesday, 23 May 2012
Liza Minnelli in Concert
Written by Peter Bleby   
Saturday, 24 October 2009 00:23

Liza Minnelli in ConcertIt is no mean feat for anyone, (especially at the age of 63) to command the wrapt attention - even adoration - of an audience of over 2, 000 for two hours. From the moment she walked on to the stage in sparkly black, Liza held this audience enraptured. This is a remarkable performer.

She is so totally at home on the stage. After all, she was almost born there and has been appearing on one since the age of 5. She exudes an un-selfconscious confidence, warmth and naturalness with her singing, her chat and her trade-mark iconic eyes, that simply invites one into her life. And she certainly can sing.

She can croon soulful and passionate ballads, such as What makes a Man a Man (in honour of Charles Aznavour), and I Can’t Give You Anything but Love (in duet with her fantastic pianist of 18 years Billy Stritch), even though in these, a vibrato you could drive a truck through sometimes takes over. But the real crowd pleasers were the songs in which she pounded out driving rhythms and powerful notes, such as My Best Friend, and the old favourites and signature songs including Cabaret, Mammy and New York, New York which brought the house down.

No elaborate staging was necessary. Liza commands the space with gusto, and two big screens give us an up close perspective. The lighting is used skilfully to enhance the moods of the songs, and the fine twelve-piece orchestra led by drummer Michael Berkowitz provides a most accomplished accompaniment.

The ravages of encephalitis, alcohol, drugs, four husbands and the passage of time, all of which she has conquered, may have left their mark, but this consummate artiste is not to be bowed by these passing irrelevancies, when the show’s the thing, and performing is all. It is clear Liza lives and breathes performing, whether she is singing, acting or (not so much these days) dancing. Yet for all these stellar qualities which have made many others aloof, she radiates an intimacy which makes one feel she is performing just for me, and I forget the 2000 people around me.

This was emphasised as she came out for two encores in a T shirt with a towel over her shoulder, removed a sweat band and her false eyelashes and crooned The Lives of Me by former husband Peter Allen, and Everytime I Say Goodbye, with which she did just that to an audience on its feet. We left smiling, feeling we had made a new friend.


Liza Minnelli in Concert

Sydney
Sydney Opera House
Friday 16 and Saturday 17 October
Bookings: 02 9250 7777 | www.sydneyoperahouse.comThis e-mail address is being protected from spambots. You need JavaScript enabled to view it <!-- document.write( '</' ); document.write( 'span>' ); //-->

Perth
Burswood Dome
Tuesday 20 October
Ticketek www.ticketek.com.au or 132 849

Adelaide
Entertainment Centre
Friday 23 October
Ticketek www.ticketek.com.au or 132 849

Melbourne
Rod Laver Arena
Sunday 25 October
Ticketek www.ticketek.com.au or 132 849

Brisbane
Entertainment Centre
Friday 30 October
Ticketek www.ticketek.com.au or 132 849

Sydney
Sydney Entertainment Centre
Monday 2 November
Ticketmaster www.ticketmaster.com.au or 1300 883 622

Visit: www.lizaminnelli.com.au

Comments (0)

Subscribe to this comment's feed

Write comment

You must be logged in to post a comment. Please register if you do not have an account yet.

busy
 
LASTTIXAustralian Stage JobsMembers Area
 

Most Read ADELAIDE Reviews

Titanic Anniversary Concert | Adelaide Symphony Orchestra
A century ago this weekend, the unthinkable happened to the "unsinkable", and the Adelaide Symphony Orchestra (ASO) joined the large lineup of anniversary commemorations and memorials to honour the...
Land & Sea | Brink Productions
What started as conversations between the playwright and director Chris Drummond about 'strange loops' developed into a determination to build a production in the vein of Christoph Marthaler....
The Glass Menagerie | State Theatre Company of South Australia
Director Adam Cook has carefully respected the various nuances in the play and worked at creating a production that looks and sounds authentic to the finest detail. Tweet !function(d...
Involuntary | One Point 618
Involuntary presented by One Point 618 and Adelaide Festival Centre is a curiously bland patchwork of ideas that shoots itself in the foot by not living up to some remarkably arresting promotional m...
Namatjira | Big hART
The life of any artist can't easily be condensed into two hours of stage time in a theatre, without a certain amount of significant material being passed over. Tweet !function(d,s,id...